Digging in the Word Mine...

Writing. Writing. Sleeping. More writing. The periodic grading gig interruption.

Yes, it’s “the last month of writing my book,” and just like every other book’s last month, it’s a round-the-clock marathon of typing, research, setting up example projects that look good and explain the topic at hand, screenshot-taking, and illustration making; all amidst a vague feeling that I should be getting more sleep.

And the periodic beer.

However, amidst all the toil, there are still magic moments, and today was the culmination of a plan I’ve long had to more fully examine and portray the possibilities of human skin tone (one of the chapters of the book I’ve put particular emphasis on). After I identified the list of complexions I wanted to document, photographer Sasha Nialla assembled a terrific roster of models, and with me playing client shot all of them under controlled lighting conditions, allowing me to show an apples to apples comparison within the book of the basic categories of complexion, for analysis and consideration.

Photographer Sasha Nialla shoots our redhead sample subject. It's the sexiest science you're going to see…

My personal criteria for how good a technical book I’m writing [...]

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Unexpected Surprises in Potentially Boring Action Sequences

I was watching Pulp Fiction on IFC the other week (in HD, thankfully), and was reminded about one of my favorite aspects of the movie; how the script takes potentially ordinary action scenes, and makes them compelling by making them unusual. The gunfighting chase culminating in the sword-wielding rescue of Marcellus from the “rape of the rednecks” is perhaps the best example. The surprise confrontation between Bruce Willis and John Travolta (who’s sitting in the bathroom) is another. Granted, these scenes were brief, but with swords being slashed and machine guns being fired, I say they’re action scenes.

All of which made me think of the Crank movies.

Outrageous as they are (Crank 2 more delightfully so then the original), they do make a point of staging each and every action sequence as unusually as possible. The result is an audience riveted as much by “I can’t believe he’s having a gunfight while experiencing oral pleasure from his girlfriend” as by Jason Statham in a sharp suit stoically employing firearms. To be frank, I had expected both of the Crank movies to be either a) terrible, or b) a guilty [...]

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